Till We Have Faces: My Blog’s New Look

image by Nicole Mason

 

About a year and a half ago I began this blog primarily as a literary resource for students when I was teaching in El Salvador. I posted on the blog, but it was usually in a literary or educational capacity: a creative attempt to engage with my students. When I moved back to the U.S. because of visa application requirements (read here), I took a job as a sixth grade teacher in the Kansas City area (I teach three sections of language and one section each of Bible, history, and reading). However, I struggled with the purpose of my blog. That, coupled with busyness, allowed the blog to atrophy. Nevertheless, I grew to miss the writing and posting, and therefore, I’ve decided to re-tool/re-brand the look and purpose.

I guess if I had to define it, this would be a life blog of sorts. I want to write about things that matter, things that affect and move me, things to think about, and, hopefully, things that challenge and encourage others. Topics will be relevant to my own life:

  • Education
  • Literature and writing
  • Travel
  • Culture
  • Faith

FAITH

The Christian perspective has come under a lot of fire these days. The reasons are, of course, myriad, and I don’t want to dive into all of them here. What saddens me, though, is when people treat faith and religion of any type flippantly. Religion essentially answers the big worldview questions:

  • How did the world come to be?
  • What’s wrong with the world (if anything)?
  • What’s the fix?
  • Who am I?
  • Is there life beyond the grave? What kind of life?

Christianity, of course, centers around Jesus. The teachings of Jesus and the doctrines of the Church are both simple and complex, easily grasped and infinitely profound. It’s filled with paradoxes (e.g. Incarnation), and I love that.

At the core of what attracts me about Christianity, though, is its message of hope. We call this Good News or Gospel (the word in Greek is eu-angelion which literally means “good news”). The Good News from the Christian perspective is that, through Jesus, wrong is made rightThe Bible teaches that both humans and creation are messed up. That’s the bad news. The good news is that you and I and all people were made to be more than we are. God is trying to make us all fully human again. Additionally, creation itself is to be perfected someday. So this reality that we live in now is not the final answer. There’s more. And through Jesus, we have access to that more. He is the fulfillment of all of our deepest longings.

The title for this blog, “a great, real place,” comes from a quote from Till We Have Faces, one of my favorite books by one of my favorite authors, CS Lewis. Let me share a few quotes that tie in to what I’ve been saying and that really lay the foundation for this blog.

“Death opens a door out of a little, dark room (that’s all the life we have known before it) into a great, real place where the true sun shines and we shall meet.”

“The sweetest thing in all my life has been the longing — to reach the Mountain, to find the place where all the beauty came from — my country, the place where I ought to have been born. Do you think it all meant nothing, all the longing? The longing for home? For indeed it now feels not like going, but like going back.”

“When the time comes to you at which you will be forced at last to utter the speech which has lain at the center of your soul for years, which you have, all that time, idiot-like, been saying over and over, you’ll not talk about the joy of words. I saw well why the gods do not speak to us openly, nor let us answer. Till that word can be dug out of us, why should they hear the babble that we think we mean? How can they meet us face to face till we have faces?”

The milky way galaxy and a person's silhouette at nighttime in Kôprovský štít
image by Štefan Štefančík

 

6 Reasons to Read Macbeth

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Macbeth is definitely my favorite Shakespeare play…so far (I am more widely read in Shakespeare than the average person, but I am still woefully ignorant of the entire Shakespeare canon). However, spending any time at all among Shakespeare’s works quickly enlightens us as to why the Elizabethan playwright is so profoundly famous and global: his fantastical use of history, myth, and folklore as the backdrop to his stories; his ability to tap into the human predicament with violent images and lovely romances; his wordsmithing and timeless passages. All these and more have made his legacy timeless. We may not all be the lovesick youth of Romeo and Juliet. We may not all be the desperate and revengeful Danish prince, Hamlet. But Shakespeare has tapped into the universal human longings for love and justice, the plots in all of our lives that merely take various forms.

This morning I was reading in Jerram Barrs’ Echoes of Eden, and in his chapter “Shakespeare and a Christian Worldview,” Barrs goes into a more thorough examination of Macbeth. This of course summoned in me all the passionate emotions I have experienced during my multiple readings of the play. So here are five reasons why you should take some time to read Macbeth this fall.

1. The supernatural elements are great for your fall/October/Halloween reading list.

Witches, spells, curses, ghosts, visions of floating daggers, murder. Here is a fantastic backdrop for your spooky seasonal reading. “Double, double toil and trouble; / Fire burn, and cauldron bubble” (4.1.10-11).

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2. The Scottish setting

Scotland is the more rugged, wild neighbor to the north of England. The misty, green landscape is the perfect backdrop to the evil machinations of Macbeth. Though Shakespeare takes great liberties, there is a historical connection to the play’s characters.

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Dunsinane Hill from Wikipedia

3. The universal themes

Fate versus free will. The thirst for power. The meaninglessness of life. Here are themes that have been gripping audiences throughout all eternity. Biological determinism is a contentious idea today. Greedy capitalism drives men and women to do unspeakable things in order to get ahead. And sometimes we feel like the arbitrary puppets of a madman.

…[Life] is a tale / Told by an idiot, full of sound and fury, / Signifying nothing. (5.5.30-31)

Basically, Macbeth uses vivid images to examine what is actually in humanity’s hearts. Your life might not be surrounded by royal bloodshed, but it does not mean that a battle doesn’t rage just below the surface of what’s seen.

4. The enticing plot

From the very beginning of the play, Shakespeare’s plot moves quickly from royal prophecy to bloodshed to massacre to madness and finally to its gripping conclusion. Don’t be fooled by the fancy language; this is a fast-paced story!

5. The brilliant writing

Books have been written about Shakespeare’s contribution to language. He is responsible for penning new words and phrases that are still in use today. His ability to express the depth of the human experience in profound ways is unparalleled. Yes, it may be difficult for the untrained reader, but keep at it; there’s treasure to be had. Here is the expanded passage of the lines already quoted above, my favorite of the whole play.

Tomorrow, and tomorrow, and tomorrow,
Creeps in this petty pace from day to day
To the last syllable of recorded time,
And all our yesterdays have lighted fools
The way to dusty death. Out, out, brief candle!
Life’s but a walking shadow, a poor player
That struts and frets his hour upon the stage
And then is heard no more. It is a tale
Told by an idiot, full of sound and fury,
Signifying nothing. (5.5.22-31)

6. The great adaptations

Okay, so perhaps I can’t speak immensely into all the adaptations because truthfully I’ve only seen the Michael Fassbender film. But I really enjoyed the interpretation. I felt that Fassbender played the part well, the cinematography was top notch, and only the original dialogue was used. It was a great treat for the class I was teaching last year. However, I still need to check out other adaptations.

 

Finally, if reading Shakespeare is daunting, I highly recommend the Folger editions of the texts. On the right page is the original text, but on the left page are thorough notes to help with more challenging words and phrases as well fascinating factoids.

So, what’s your favorite Shakespeare play?

8 Books about Faith and Art

The Return of the Prodigal Son: A Story of Homecoming by [Nouwen, Henri]

 

For many years (decades, centuries), there has been debate as to what should be the relationship between art and religion. From a Christian perspective, should art have any prominent role in the church? What do we do about art made by those who believe differently than us? This might be visual art, literary art, music, or some other form of creativity. Is there a proper response to these things?

Here are eight books that I have either read in full or I am currently reading (currently reading Beauty Will Save the World and Echoes of Eden) about the relationship between art and faith (from a Christian perspective) which will encourage your engagement with the arts while maintaining a thoughtful attitude. You can check out more resources on my page “Faith and the Arts.” 

The Fellowship: The Literary Lives of the Inklings: J.R.R. Tolkien, C.S. Lewis, Owen Barfield, and Charles Williams a biographical sketch of the memorable Christian literary group, the Inklings. More than individual profiles, this work also traces the interchange between these literary greats.

For the Beauty of the Church: Casting a Vision for the Arts a call for the local church to embrace the importance of the arts and their artists.

Culture Making: Recovering Our Creative Calling Andy Crouch’s thoughtful approach to cultural engagement for Christians–being involved in the creative process rather than merely reactionary.

Refractions: A Journey of Faith, Art, and Culture a collection of post 9/11 essays regarding the intersection of faith, art, and culture by Japanese American Makoto Fujimura.

Liberal Arts for the Christian Life a defense of more traditional academic subjects (the humanities) during a cultural crisis in which STEM subjects are often promoted at the expense of a broader education.

The Return of the Prodigal Son Catholic priest Henri Nouwen’s examination of faith and grace (drawn from personal experience) through the lens of Rembrandt’s famous painting.

Beauty Will Save the World: Recovering the Human in an Ideological AgeGregory Wolfe’s defense of Christian humanism, reflectively discussing the faith elements present in less discussed authors such as Evelyn Waugh, Flannery O’Conner, Shusaku Endo, Wendell Berry, and more.

Echoes of Eden: Reflections on Christianity, Literature, and the Arts more accessible than Wolfe’s work (above), it highlights the proper Christian stance towards art and literature and the discusses the specific faith evident in the works of C.S. Lewis, J.R.R. Tolkien, J.K. Rowling, William Shakespeare, and Jane Austen.

 

So here is a primer for anyone interested. Are there any other good ones to add to the list?

Poetry Wednesday: Shel Silverstein

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Nearly everyone has been exposed to some of the fun, whimsical poetry of Shel Silverstein: The Light in the Attic, Where the Sidewalk Ends, Falling Up, and The Giving Tree are some of his most notable works. His writing–targeted primarily at children–shows itself to be both entertaining and often quite surprisingly deep. Today I wanted to share his poem “Invitation.” CHEERS! to fellow dreamers and creators. May your tales always find a welcome heart.

If you are a dreamer, come in
If you are a dreamer, a wisher, a liar,
A hope-er, a pray-er, a magic bean buyer…
If you’re a pretender, come sit by the fire
For we have some flax-golden tales to spin.
Come in!
Come in!

Poetry Wednesday: “To the Rose upon the Rood of Time”

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C.S. Lewis (the author who first cultivated my love of literature with his Narnia chronicles) once said about the Irish poet, essayist, and playwright William Butler (W.B.) Yeats, “I am often surprised to find how utterly ignored Yeats is among the men I have met: perhaps his appeal is purely Irish–if so, then thank the gods that I am Irish.” Yeats remained staunchly Irish at a time when Irish heritage was often overshadowed by their more imperialistic Anglo neighbors to the east. His poetry featured Irish legends and heroes and an overall connection to his own roots. Despite his mystical and occult tendencies that at times drew criticism, there is no doubting the magnificence of his supernatural imagination. To read more about the life of W.B. Yeats, you can check out his biography at the Poetry Foundation here.

In his poem “To the Rose upon the Rood of Time,” Yeats balances the immortal (the rood or crucifix of time) with the mortal. According to Suheil B. Bushrui’s and Tim Prentki’s An International Companion to the Poetry of W.B. Yeats, “The strength of the poem is derived from the tension revealed by its title between immortality and mortality. The Rose is identified as ‘Eternal Beauty’ but it can only be perceived in such things as an actual rose which must die. Thus while the poet wishes to experience the influence of the Rose, he does not wish to be overwhelmed totally by its power and so lose contact with this world” (83). The poem highlights the timelessness of epic, historical deeds of Irish ancestry as well as the common, mundane realities of a “weak worm hiding” and a “field-mouse running.”

I personally appreciate and am moved by the delicate balance of mortality and immortality, or, if you will, finding the immortal in the mortal. Thus, I hope you appreciate Yeats’ masterful poem.

Red Rose, proud Rose, sad Rose of all my days!
Come near me, while I sing the ancient ways:
Cuchulain battling with the bitter tide;
The Druid, grey, wood-nurtured, quiet-eyed,
Who cast round Fergus dreams, and ruin untold;
And thine own sadness, whereof stars, grown old
In dancing silver-sandalled on the sea,
Sing in their high and lonely melody.
Come near, that no more blinded by man’s fate,
I find under the boughs of love and hate,
In all poor foolish things that live a day,
Eternal beauty wandering on her way.

Come near, come near, come near—Ah, leave me still
A little space for the rose-breath to fill!
Lest I no more hear common things that crave;
The weak worm hiding down in its small cave,
The field-mouse running by me in the grass,
And heavy mortal hopes that toil and pass;
But seek alone to hear the strange things said
By God to the bright hearts of those long dead,
And learn to chaunt a tongue men do not know.
Come near; I would, before my time to go,
Sing of old Eire and the ancient ways:
Red Rose, proud Rose, sad Rose of all my days.

…a little bit of honesty

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reading at my hostel in Quito, Ecuador (2014)

Because I’ve tried to be more consistent and at least post once a week, and because I’ve spent this past week a bit sick and busy, and because frankly I just don’t have a whole lot of time today, this post is a bit of a ramble. And a bit of honesty.

Confession: I want to be a published writer. I don’t want fame or fortune or success really. I simply want the validation that I don’t absolutely suck at my passion. I’m sure a lot of artists can relate to that. I’ve sent writing in the form of poetry or fiction to publishers or agents probably about twenty times now. Nada. It can be disheartening. But I keep telling myself that this is part of the game; this is the grit and the grime, the how-much-do-you-want-this, the kick-you-in-the-nuts and start again process that all determined people must face. Is publication the great satisfaction in life? Of course not. But if we’re determined to do something and feel strongly about what we do, we have to keep at it.

So today’s post is a renewal of commitment and energy. Art was never meant for notoriety really but simply to say something that’s important to the artist and maybe, collaterally, to their audience. Thus, publication or not, it’s still important if for no other reason than that it is coming out of me. It is reflection and release.

Whatever you’re doing, whatever you’re sweating towards, keep working. Don’t forget to lean in and love others (I guess I’m saying not to be so consumed that we miss the greatest purposes of life), but don’t stop. The world needs YOU. Unique, weird YOU. Thank YOU.